Why Loop Makers Deserve Publishing And How to Claim It

In today’s music production world, loops and melody samples are the backbone of countless songs across genres. Whether it’s an ambient guitar riff, an emotional piano melody, or a trap-inspired synth lead, these loops often spark the entire creative process. Yet despite their importance, many loop makers don’t receive the publishing they rightfully deserve—either because they don’t know how publishing works, or because the system hasn’t been set up in their favor. Additionally, some loop makers receive the publishing they deserve on the split sheet, but then never ∫collect it properly.

Let’s change that.

This blog breaks down why loop creators should receive publishing, how to claim it, and how Elizabeth Music Group helps make that happen through transparent, artist-first admin and co-publishing deals.

What Is Publishing, and Why Does It Matter?

Publishing refers to the rights associated with the composition of a song. This includes:

• Melody

• Chord progressions

• Lyrics

• Song structure

If you’ve made a loop that gets used in a song, your work is part of that composition. You’ve contributed to the intellectual property that generates revenue—not just from streams and downloads, but also from performance royalties, sync licensing, and mechanical royalties.

Without publishing, you're missing out on long-term income and official credit for your role in the song’s creation.

Loop Makers Are Often Undervalued

Many producers grab a loop, build a beat around it, and pitch it to artists. The loop might become the song’s signature hook, but unless the loop maker is proactive or protected by a publishing agreement, they often:

• Don’t receive fair credit

• Don’t receive any backend publishing splits

• Can’t track down royalties, even if the song goes viral

It doesn’t have to be that way.

If you're sending out loops, samples, or melody packs, you should treat them as contributions to a composition—because they are.

How Loop Makers Can Claim Publishing

1. Negotiate Splits Early
   Talk with the producer using your loop. Be upfront about your expectations. Explain if your loops are royalty free or if you would like to receive royalties for your melody loops. As a loop maker myself, I’d advise focusing on creating samples where you retain royalties instead of doing royalty free. A common industry standard is a 10% to 25% publishing share for the loop creator, depending on how central the loop is to the song. There are cases where you should ask for more than 25% and there are cases where you may have to agree to less than 10%. End of the day, get some publishing on the song but don’t block the song because you didn’t get as much publishing as you would have liked. It’s better to have the song out there to generate some revenue and potentially open up new doors for you and your catalog.

2. Register With a PRO (Performing Rights Organization)
   Join BMI, ASCAP, or another PRO so you can collect your portion of public performance royalties.

3. Use a Publishing Company to ensure proper protection and global registration
   This is where Elizabeth Music Group can help you.

Why Work With Elizabeth Music Group?

At Elizabeth Music Group, we believe loop makers are creators—not just tools. That means:

✅ You Deserve Publishing

We help you claim what’s yours. Whether it’s a melody loop or a guitar progression, we ensure you’re credited and paid fairly.

✅ We Offer Transparent Publishing Deals

We tailor deals based on your goals and lead with education and transparency,

✅ You Get Creative Support

We don’t just handle paperwork—we champion creativity. Our loop makers get access to:

• An exclusive Discord server with live team support

• A loop library to share and download from other EMG creators

• Opportunities to send loops directly to top-tier producers and writers

• Briefs and placement opportunities in real time for sync, artist sessions, and production work

✅ Sync Licensing Support

Our team actively pitches music—including loop-based tracks—for film, TV, and ad placements. We’ll make sure your loops are being used in music we pitch for placements, and you get your fair share if it does get placed.

Final Thoughts: Loop Makers Are Songwriters

If you’re making loops, you’re not just a background contributor. You’re a co-writer of the next hit. And that means you deserve publishing splits, backend royalties, and official credit.

Don’t let your work disappear into hard drives without value. Partner with a publishing team that puts you first.

At Elizabeth Music Group, we protect loop makers. We empower you to grow. And we help you get paid.